The Wet Edge

I'm Bonnie — a sculptor working mostly in clay and wax, a modern dancer, and, by day, a product designer. Before any of that, I spent close to a decade as a full-spectrum doula and years behind bars in New York hospitality, which is maybe where I first learned to pay close attention to people and process.

This newsletter is where those threads meet: what's happening in my studio, shows and museums I can't stop thinking about, and the slower observations that don't fit anywhere else. I'm a lifelong New Yorker, so expect a lot of Brooklyn in here too.